½ûÂþÌìÌÃ

 Anne  Barron

Anne Barron

Associate Professor (Reader) of Law

½ûÂþÌìÌà Law School

Languages
English
Key Expertise
Law

About me

Anne Barron is an Emeritus Associate Professor of Law at ½ûÂþÌìÌÃ. She is a graduate of University College Dublin (BCL) and Harvard Law School (LLM), and held lectureships at the University of Warwick and University College London before joining ½ûÂþÌìÌÃ.

 Administrative support: Law.Reception@lse.ac.uk

Articles

  •  'Intellectual Property and the Open (Information) Society' in Matthew David and Debora Halbert (eds.) (SAGE, 2014) pp.4-27
  • Economy and Society (2013) 42 (4). pp. 597-625
  • Law and Philosophy (2012) 31 (1), pp.1-48
  • (2011) 3(2) Journal of Media Law 305-347
  • in Bently, Lionel and Davis, Jennifer and Ginsburg, Jane C, (eds.) Copyright and piracy: an interdisciplinary critique. (Cambridge University Press, 2010)  pp. 93-127. 
  • Barron, Anne (2010) Kapitalismus 2.0 [Capitalism 2.0]. In: Becker, Karine and Gertenbach, Lars and Laux, Henning and Reitz, Tilman, (eds.) [The Shifting Boundaries of Capitalism: Limits, Frontiers, and Spaces of Resistance]. Campus Verlag, Frankfurt am Main, Germany, pp. 137-163. 
  • (2006) 15(1) Social and Legal Studies 101-127
  • (2006) 15(1)Social and Legal Studies 25-51
  • (2004) 67(2) Modern Law Review 177-208
  • (2002) 4 Intellectual Property Quarterly 369-401
  • Chapters on 'Foucault and Law' and 'Legal Reason and its 'Others'' in Penner, Schiff and Nobles (eds.) (Oxford: OUP 2002)
  • 2000 (2) Oxford Journal of Legal Studies 301-315

Research interests

My research is critical and interdisciplinary, seeking to integrate methods and frameworks drawn from philosophy, social theory and critical political economy into the study of legal concepts and legal theory. Current research centres principally on the relationship between intellectual property, information capitalism and the public sphere. Some of my recent work draws on critical political economy to explore the role of the copyright system in underpinning the profitability of the culture and information industries, and in shaping the major cultural forms (visual art, music and film) that organise artistic expression within today’s cultural public spheres. Other work draws on modern European philosophy and critical social theory to investigate alternative ways of thinking about, and instituting, authors’ rights. At present I’m especially interested in exploring the implications for law of two apparently opposed understandings of authorship yielded by critical social theory today: as rational-critical communication, and as 'immaterial' labour. 

I'm open to inquiries from potential research students who are interested in exploring critical perspectives on legal theory or on intellectual property.